Linked from

The 32 pages that link to Marcel Duchamp, each with the reason it gives.

• DadaRelated: Duchamp’s objects became enduring examples of Dada’s attack on artistic standards.

• Conceptual artRelated: His readymades supplied a major precedent for treating selection as an artistic act.

• Appropriation (art)Related: His readymades established selection and presentation as artistic gestures.

• Modern artRelated: His work redirected modern art toward questions of authorship, context, and artistic choice.

• ReadymadeRelated: He named and exhibited everyday objects as art, establishing the form’s most influential examples.

• Avant-gardeRelated: His readymades recast artistic innovation as a question of selection and context.

• Kinetic artRelated: His rotating optical works anticipated the fusion of movement, perception, and sculpture.

• Found objectRelated: His readymades established the artist’s choice of an object as an artistic act.

• Interactive artRelated: His emphasis on viewer interpretation helped unsettle the idea of a finished, self-contained artwork.

• Man RayRelated: Duchamp was Man Ray’s close collaborator in New York Dada and a lifelong artistic associate.

• Peggy GuggenheimRelated: Duchamp advised Guggenheim on modern art and helped her navigate its movements.

• European avant-gardeRelated: His readymades exposed how artistic institutions shape what counts as art.

• Neo-DadaRelated: Duchamp’s readymades became a central precedent for Neo-Dada artists.

• Remix cultureRelated: Duchamp’s readymades foregrounded selection and context as forms of artistic authorship.

• Joseph BeuysCompared with: Duchamp expanded art through selection; Beuys extended it toward social transformation.

• Assemblage (art)Related: His object-based provocations shaped the questions assemblage asks about selection and authorship.

• Damien HirstRelated: Duchamp's precedent clarifies the authorship questions raised by Hirst's industrial production.

• Authenticity in artRelated: His readymades made selection and attribution central to debates about what makes art authentic.

• Raymond QueneauRelated: His procedural play offers a visual-art counterpart to the rule-based invention Queneau pursued in writing.

• Alexander CalderRelated: Duchamp named Calder’s moving sculptures “mobiles.”

• Joseph KosuthRelated: Duchamp’s readymades supplied a precedent for treating an idea or designation as artistic action.

• Louise NevelsonRelated: Duchamp’s precedent for recontextualizing ordinary objects offers a useful comparison to Nevelson’s found materials.

• Bird in SpaceRelated: He supported Brâncuși during the customs case and argued for the sculpture’s status as art.

• Eva HesseNarrower topic: Duchamp’s expanded idea of artistic materials provides an earlier precedent for Hesse’s unconventional choices.

• Gerhard RichterCompared with: Richter’s Ema painting explicitly engages Duchamp’s Nude Descending a Staircase.

• Charles DemuthRelated: Duchamp’s influence reflects the avant-garde ideas Demuth encountered in early twentieth-century art circles.

• Musée National d'Art ModerneRelated: His work connects the collection to conceptual challenges that reshaped modern art.

• Piero ManzoniRelated: Duchamp’s precedents clarify the lineage behind Manzoni’s attacks on artistic convention.

• Arthur DantoRelated: Duchamp’s readymades posed the same status question that Danto later addressed through interpretation.

• Henry GeldzahlerRelated: Geldzahler’s curatorial account of modern art gave Duchamp a prominent place.

• Nude Descending a StaircaseNarrower topic: He painted the work while moving away from traditional representation toward experimental forms.

• The Bride Stripped Bare by Her Bachelors, EvenNarrower topic: He devised the glass construction and its accompanying system of notes.