Linked from

The 33 pages that link to Vibrato, each with the reason it gives.

• BoleroRelated: Bolero singers use expressive sustained notes and vibrato to intensify lyrics.

• EmbouchureCompared with: Vibrato adds expressive fluctuation; embouchure provides the underlying means of sound production and control.

• Performance practiceRelated: Its speed, width, and frequency of use distinguish performance styles.

• Slide guitarRelated: Rocking the slide along the string creates the vocal-like pitch movement associated with slide playing.

• Vocal performanceBroader topic: This ornament can add warmth, intensity, or stylistic character to sustained singing.

• Guitar soloRelated: Vibrato adds motion and emphasis to notes held in a solo.

• Violin techniqueBroader topic: It adds expressive pitch fluctuation after the left hand establishes a note.

• Lionel HamptonRelated: The vibraphone’s motorized vibrato became a defining part of Hampton’s bright, sustained tone.

• Auto-TuneRelated: Correction settings determine how much a singer’s natural pitch wavering remains audible.

• TahrirCompared with: Unlike regular vibrato, tahrir articulates distinct, quickly changing pitches.

• Vocal phrasingRelated: Changes in vibrato can color sustained notes and mark phrase climaxes or releases.

• Messa di voceCompared with: Vibrato introduces periodic fluctuation, whereas messa di voce shapes loudness across a single arc.

• OverblowingCompared with: Vibrato modulates a note after it sounds; overblowing creates a different pitch.

• Vocal deliveryBroader topic: Its rate and extent are audible features of many singers' sustained notes.

• Jeff BeckRelated: His wide, controlled vibrato made individual notes carry much of the melody.

• Pan fluteRelated: Breath and instrument movement can add expressive vibrato to pan-flute tones.

• Sidney BechetRelated: Bechet’s broad, rapid vibrato became one of the most recognizable features of his sound.

• Steel guitarRelated: Small bar movements create the steel guitar’s characteristic vocal-like vibrato.

• Franco CorelliRelated: Its width and speed contribute to the recognizable character of Corelli’s recorded singing.

• Kirsten FlagstadRelated: Flagstad's controlled vibrato contributed to the clarity and steadiness praised in her singing.

• Sarah VaughanRelated: Her controlled vibrato was one element of the rich, rounded timbre listeners recognize.

• TrotRelated: Trot singers use pronounced vibrato to shape sustained notes and emotional climaxes.

• VibraphoneRelated: Rotating fans periodically alter the sound radiated by the resonators, creating the vibraphone’s characteristic wavering effect.

• David OistrakhRelated: Oistrakh used expressive vibrato without obscuring the line or the pitch center.

• Kenny GRelated: Kenny G’s controlled vibrato gives long melodic notes their expressive shape.

• Nathan MilsteinRelated: Milstein’s restrained, flexible vibrato contributed to his distinctive sound.

• Jacqueline du PréRelated: Its expressive use is one element listeners hear in du Pré’s sustained melodic lines.

• Jussi BjörlingRelated: The controlled vibrato in his recordings is a recognizable feature of his tone.

• Mischa ElmanRelated: Elman’s broad, expressive vibrato was a defining feature of his violin tone.

• Ronnie James DioRelated: Dio used a clear, controlled vibrato to shape sustained notes.

• Unchained MelodyRelated: Hatfield’s sustained notes use vibrato to intensify the song’s climactic phrases.

• Johnny MathisRelated: Controlled vibrato colors the held notes central to Mathis’s vocal style.

• Toots ThielemansRelated: His expressive vibrato helped give sustained harmonica notes a vocal quality.