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The 39 pages that link to Vincent van Gogh, each with the reason it gives.

• Ukiyo-eRelated: His engagement with ukiyo-e offers a concrete case of its influence on European painting.

• Post-ImpressionismRelated: His distortions and vivid colors turned observation into personal expression.

• FauvismRelated: His paintings offered Fauves a precedent for color serving emotional expression.

• Paul GauguinRelated: Van Gogh invited Gauguin to Arles, where their collaboration ended in a severe personal rupture.

• JaponismeRelated: His engagement with ukiyo-e made Japanese influence explicit in both his art and letters.

• Salon des IndépendantsRelated: Van Gogh’s work appeared at the 1888 exhibition, organized after his death by his brother Theo.

• BrushworkRelated: His directional strokes make brushwork a conspicuous part of the image.

• Eugène DelacroixRelated: Van Gogh studied Delacroix’s ideas about color and drew on them in his own expressive painting.

• CloisonnismRelated: He adopted bold outlines and strong color in works made after encountering Gauguin’s circle.

• Georges SeuratRelated: Van Gogh experimented with divided color after encountering Neo-Impressionist work in Paris.

• Henri de Toulouse-LautrecRelated: Van Gogh and Lautrec knew each other in Paris and exchanged ideas and artistic influence.

• DrawingRelated: His reed-pen drawings make texture and rhythm central to mark-making.

• Émile BernardRelated: Bernard exchanged letters and artistic ideas with Van Gogh during the 1880s.

• Jean-François MilletRelated: Van Gogh admired Millet and repeatedly reinterpreted his images of peasants and labor.

• The Great Wave off KanagawaRelated: His engagement with Japanese prints reflects the work’s influence on European artists.

• Neo-ImpressionismRelated: He briefly adopted Neo-Impressionist touches while transforming them toward expressive ends.

• Emil NoldeRelated: Van Gogh’s color and emotional intensity were influential precedents for Nolde’s painting.

• The Starry NightRelated: Van Gogh painted the work in June 1889 during his stay in Provence.

• Thirty-six Views of Mount FujiRelated: Van Gogh collected and studied Japanese prints, including works associated with Hokusai’s influence.

• Frans HalsRelated: Van Gogh admired Hals’s visible strokes and saw them as a model for painterly freedom.

• MistralRelated: His paintings from Provence convey the forceful landscape conditions associated with the mistral.

• North BrabantRelated: His Brabant birthplace and early landscapes connect the province to his artistic origins.

• Chrome yellowRelated: His paintings used chrome yellow, whose alteration affects some works’ original colors.

• Theo van GoghRelated: Theo’s brother and the artist whose career he sustained through money, correspondence, and advocacy.

• SunflowersRelated: He conceived and painted the Arles sunflower series.

• Henry van de VeldeRelated: Van de Velde encountered Van Gogh’s work and later described its impact on his artistic direction.

• Joan MitchellRelated: Mitchell admired his paintings and their forceful use of color and mark.

• The Potato EatersRelated: He regarded this work as a major statement about peasant life.

• Aizuri-eRelated: His copies and adaptations show how ukiyo-e color and composition traveled beyond Japan.

• HiroshigeRelated: Van Gogh copied Hiroshige prints, making his influence visible in European painting.

• Jeanne CalmentRelated: Calment recalled meeting him in her family's shop in Arles when she was a girl.

• Lead(II) chromateRelated: His paintings illustrate the visual impact and later deterioration risks of chrome yellow.

• Wheatfield with CrowsRelated: He painted the work at Auvers-sur-Oise in the final weeks of his life.