Linked from
The 24 pages that link to West Side Story, each with the reason it gives.
Musical theatreBroader topic: It reworks Romeo and Juliet through urban conflict, dance, and symphonic music.
Musical filmBroader topic: Its dance, location shooting, and tragic plot broadened the genre’s dramatic range.
Leonard BernsteinBroader topic: Bernstein composed its score, one of his best-known works.
LibrettoBroader topic: Its distinction between book and lyrics shows how musical theatre divides textual work.
Stephen SondheimBroader topic: It was Sondheim's Broadway debut as a lyricist.
Hollywood musicalBroader topic: Its choreography makes dance central to conflict, character, and urban space.
Jerome RobbinsBroader topic: Robbins’s choreography makes gang identity, conflict, and emotion visible throughout the musical.
Literary adaptationBroader topic: It relocates a tragedy while preserving its central conflict and doomed romance.
Dance filmBroader topic: Jerome Robbins’s choreography carries conflict through bodies moving across urban space.
Adaptation (arts)Broader topic: It transforms Shakespearean tragedy through music, dance, and a modern urban setting.
Book musicalBroader topic: Its songs and choreography are integrated with a modern tragic plot.
American musical theatreBroader topic: Its choreography, music, and urban setting show how dance can carry dramatic conflict.
Latina representation in HollywoodBroader topic: Its Puerto Rican characters and casting make it a landmark case in Hollywood’s portrayal of Latinos.
Robert WiseBroader topic: Wise co-directed this landmark musical, which won him an Academy Award for Best Director.
Latino representation in HollywoodBroader topic: Its stage and screen versions made Puerto Rican characters central while drawing criticism for stereotypes and casting.
Show tuneBroader topic: Songs such as “Tonight” combine character conflict with the musical’s dramatic action.
VibraphoneBroader topic: Its score uses the vibraphone as part of a prominent percussion palette.