KnowraYasujirō OzuLinked fromLinked fromThe 17 pages that link to Yasujirō Ozu, each with the reason it gives.All 17Related 8Compared with 9ShōchikuRelated: Ozu developed his distinctive style through decades of work at Shōchiku.Slow cinemaRelated: His patient compositions and everyday stories anticipate some later slow-cinema practices.Robert BressonCompared with: Ozu shares Bresson’s formal restraint but directs attention toward family life and social change.Hou Hsiao-hsienCompared with: Ozu offers a useful point of comparison, though Hou’s historical scope and camera placement differ.Kenji MizoguchiCompared with: Ozu offers a contrasting approach to framing, editing, and everyday family life.Tokyo StoryRelated: His composition, pacing, and attention to family life shape the film’s distinctive form.Nagisa ŌshimaCompared with: Ozu's quiet attention to family life contrasts with Ōshima's confrontational treatment of social institutions.Postwar Japanese cinemaRelated: His postwar films examined generational change through domestic stories and formal stillness.Masaki KobayashiCompared with: Ozu’s intimate family stories contrast with Kobayashi’s confrontations with military and feudal power.Shōhei ImamuraCompared with: Imamura worked as Ozu’s assistant but developed a markedly different interest in bodily, unruly life.Setsuko HaraRelated: His films gave Hara her most celebrated roles and a recurring screen persona.Mikio NaruseCompared with: Ozu’s formal stillness contrasts with Naruse’s more fluid, pressure-driven scenes of domestic conflict.Cinema of JapanRelated: His formal precision became one of Japanese cinema's most distinctive traditions.Keisuke KinoshitaRelated: Ozu was a prominent Shōchiku contemporary whose quiet domestic style offers a point of comparison.Kon IchikawaCompared with: Ozu’s consistent domestic style contrasts with Ichikawa’s shifts among genres and visual modes.Seijun SuzukiCompared with: Ozu’s controlled domestic realism contrasts with Suzuki’s disruptive crime-film fantasies.Hirokazu Kore-edaRelated: Kore-eda is often compared with Ozu for his attention to family life and quiet change.
KnowraYasujirō OzuLinked fromLinked fromThe 17 pages that link to Yasujirō Ozu, each with the reason it gives.All 17Related 8Compared with 9ShōchikuRelated: Ozu developed his distinctive style through decades of work at Shōchiku.Slow cinemaRelated: His patient compositions and everyday stories anticipate some later slow-cinema practices.Robert BressonCompared with: Ozu shares Bresson’s formal restraint but directs attention toward family life and social change.Hou Hsiao-hsienCompared with: Ozu offers a useful point of comparison, though Hou’s historical scope and camera placement differ.Kenji MizoguchiCompared with: Ozu offers a contrasting approach to framing, editing, and everyday family life.Tokyo StoryRelated: His composition, pacing, and attention to family life shape the film’s distinctive form.Nagisa ŌshimaCompared with: Ozu's quiet attention to family life contrasts with Ōshima's confrontational treatment of social institutions.Postwar Japanese cinemaRelated: His postwar films examined generational change through domestic stories and formal stillness.Masaki KobayashiCompared with: Ozu’s intimate family stories contrast with Kobayashi’s confrontations with military and feudal power.Shōhei ImamuraCompared with: Imamura worked as Ozu’s assistant but developed a markedly different interest in bodily, unruly life.Setsuko HaraRelated: His films gave Hara her most celebrated roles and a recurring screen persona.Mikio NaruseCompared with: Ozu’s formal stillness contrasts with Naruse’s more fluid, pressure-driven scenes of domestic conflict.Cinema of JapanRelated: His formal precision became one of Japanese cinema's most distinctive traditions.Keisuke KinoshitaRelated: Ozu was a prominent Shōchiku contemporary whose quiet domestic style offers a point of comparison.Kon IchikawaCompared with: Ozu’s consistent domestic style contrasts with Ichikawa’s shifts among genres and visual modes.Seijun SuzukiCompared with: Ozu’s controlled domestic realism contrasts with Suzuki’s disruptive crime-film fantasies.Hirokazu Kore-edaRelated: Kore-eda is often compared with Ozu for his attention to family life and quiet change.