KnowraYasujirō OzuLinked fromLinked fromThe 17 pages that link to Yasujirō Ozu, each with the reason it gives.All 17Related 8Compared with 9Robert BressonCompared with: Ozu shares Bresson’s formal restraint but directs attention toward family life and social change.Hou Hsiao-hsienCompared with: Ozu offers a useful point of comparison, though Hou’s historical scope and camera placement differ.Kenji MizoguchiCompared with: Ozu offers a contrasting approach to framing, editing, and everyday family life.Nagisa ŌshimaCompared with: Ozu's quiet attention to family life contrasts with Ōshima's confrontational treatment of social institutions.Masaki KobayashiCompared with: Ozu’s intimate family stories contrast with Kobayashi’s confrontations with military and feudal power.Shōhei ImamuraCompared with: Imamura worked as Ozu’s assistant but developed a markedly different interest in bodily, unruly life.Mikio NaruseCompared with: Ozu’s formal stillness contrasts with Naruse’s more fluid, pressure-driven scenes of domestic conflict.Kon IchikawaCompared with: Ozu’s consistent domestic style contrasts with Ichikawa’s shifts among genres and visual modes.Seijun SuzukiCompared with: Ozu’s controlled domestic realism contrasts with Suzuki’s disruptive crime-film fantasies.