Linked from

The 67 pages that link to Abstract Expressionism, each with the reason it gives.

• SurrealismRelated: Its emphasis on spontaneous gesture developed in a different context from Surrealist automatism.

• German ExpressionismRelated: Its later reception drew on European modernist precedents, including Expressionist emphasis on subjective expression.

• Wassily KandinskyRelated: Kandinsky’s precedent for autonomous abstract painting informed later artists and criticism.

• Claude MonetRelated: Some artists and critics found precedents for expansive abstraction in Monet’s late canvases.

• New York SchoolRelated: The painters’ circle overlapped with this movement while developing its own informal identity.

• Automatic drawingRelated: Some artists adapted automatist spontaneity into gestural painting, though with different aims.

• Hans HofmannRelated: Hofmann influenced the movement’s artists and critics without fitting neatly into a single style.

• Lyrical abstractionRelated: Lyrical abstraction inherited its gestural freedom while developing a distinct later identity.

• Joan MiróRelated: Miró’s signs and spontaneous marks became points of reference for later abstract painters.

• Non-objective artRelated: Some of its artists treated paint and gesture as subjects in their own right.

• Allan KaprowRelated: Kaprow began as a painter before questioning the limits of painting as an object.

• Frank O’HaraRelated: O’Hara’s daily work and friendships connected his poetry to the painters who shaped this movement.

• James SchuylerRelated: Schuyler’s circle engaged with the movement’s artists while his poems pursued a less abstract attentiveness.

• Water LiliesRelated: Some painters and critics saw Monet's late canvases as precedents for expansive abstraction.

• 1940sRelated: Its rise shifted the international center of modern art toward New York.

• Morton FeldmanRelated: Feldman drew analogies between musical time and the scale and surfaces of abstract paintings.

• Cy TwomblyRelated: Twombly emerged alongside American abstraction but developed a distinctive, less monumental form of gestural mark-making.