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The 62 pages that link to Appropriation (art), each with the reason it gives.

• ParodyNarrower topic: Parody is one possible purpose for reusing existing material, alongside many others.

• Pablo PicassoRelated: Picasso’s reinterpretations of canonical paintings show how appropriation can engage art history directly.

• Pop artRelated: Pop artists recast commercial images as art without hiding their borrowed origins.

• PostmodernismRelated: Appropriation turns postmodern questions about originality and ownership into artistic practice.

• CollageRelated: Collage makes borrowing visible by placing fragments from other contexts into a new work.

• Postmodern literatureRelated: Literary practices of quotation and rewriting share its challenge to originality as solitary creation.

• Institutional critiqueRelated: Appropriation can expose how institutions assign originality, ownership, and value.

• ReadymadeRelated: It extends the readymade’s strategy of taking existing material into new contexts.

• Andy WarholNarrower topic: Warhol's use of publicity and press photographs became a major precedent for later artists.

• Marcel DuchampRelated: Duchamp’s altered reproductions and selected objects anticipated later artists’ strategies of reuse.

• Quentin TarantinoRelated: Debates about his borrowings from earlier films often turn on the line between tribute and appropriation.

• RepresentationRelated: It exposes how meaning changes when an existing representation is recirculated.

• Feminist artRelated: Feminist artists recast familiar images to expose how visual culture objectifies women.

• AssemblageRelated: Assemblage appropriates physical objects, making their earlier meanings available for revision.

• PrimitivismRelated: Primitivist artists recast non-Western objects and forms within European modernist art.

• Outsider artCompared with: Outsider-art exhibitions can raise concerns when institutions or artists reuse work without adequate consent or context.

• Found footageNarrower topic: Found-footage filmmaking is a cinematic form of appropriation.

• Found objectRelated: Appropriation shares the found object’s reliance on selecting material that already exists.

• RemixNarrower topic: Remixing belongs to a broader artistic practice of transforming material that already exists.

• Adaptation (arts)Related: Appropriation may borrow without transforming a source into a new version of that work.

• Art forgeryCompared with: Appropriation borrows visibly or conceptually, rather than passing a new work off as an old one.

• Mona LisaRelated: Artists from Duchamp to Warhol borrowed its image to challenge ideas of originality and artistic prestige.

• Max ErnstRelated: Ernst’s collages made the alteration of borrowed imagery a powerful artistic method.

• Video artRelated: Video artists’ reuse of television and film footage helped make mass-media images artistic material.

• Migrant MotherRelated: Artists have reworked the photograph, prompting debate about its enduring ownership and meaning.

• Neo-expressionismCompared with: Appropriation artists offered a critical alternative to neo-expressionism’s renewed emphasis on personal gesture.

• Remix cultureRelated: Appropriation makes the act of borrowing itself part of an artwork’s meaning.

• Staged photographyRelated: Staged photographs can quote familiar visual images and alter their implications.

• Art reproductionRelated: Reproducible images supply material for artists who recirculate and transform existing works.

• Jean-Michel BasquiatRelated: He transformed borrowed imagery, historical references, and popular signs through repainting and juxtaposition.

• Postmodern artBroader topic: Its reuse of familiar imagery makes appropriation a defining postmodern strategy.

• Assemblage (art)Compared with: Appropriation may reuse an image or object without physically assembling separate components.

• Fine-art photographyRelated: Photographers have made artworks by recontextualizing images they did not originally create.

• Authenticity in artBroader topic: Appropriation art tests whether originality is necessary for an authentic artistic act.

• Campbell's Soup CansNarrower topic: The work’s adoption of commercial packaging anticipates a defining strategy of later art.

• Jeff KoonsRelated: Koons borrows commercial imagery, making appropriation central to debates over his work.

• Postcolonial artRelated: Artists reuse colonial images and symbols to contest their original authority.

• Queer artCompared with: Its strategies can expose how queer images are borrowed, recoded, or controlled.

• Roy LichtensteinNarrower topic: Lichtenstein's adaptations raise questions about how borrowing changes an image's meaning and authorship.

• Barbara KrugerNarrower topic: Kruger repurposes photographs so their original authority becomes open to question.

• Hannah HöchRelated: Höch’s reuse of press imagery anticipates later debates about image ownership and context.

• Joseph KosuthRelated: Kosuth’s use of reproduced definitions helped foreground citation and context as artistic choices.

• Gerhard RichterRelated: His paintings of photographs make the act of borrowing images central to painting.

• Shepard FaireyRelated: Fairey reworks found imagery, including the source photograph behind the Hope poster.

• Sistine MadonnaRelated: The angels have circulated widely in reproductions and adaptations detached from the full painting.

• Whaam!Narrower topic: Whaam! adapts an existing comic panel rather than inventing its imagery from scratch.

• Andreas GurskyCompared with: Gursky’s staged and digitally altered photographs complicate the idea of a photograph as unmediated evidence.

• Drowning GirlNarrower topic: The painting’s dependence on a pre-existing comic image invites comparison with appropriation.

• Elmyr de HoryCompared with: Appropriation can make borrowing explicit, while de Hory relied on concealing authorship.

• Guerrillero HeroicoNarrower topic: Adaptations of Korda’s portrait make its authorship and meaning contested.