Linked from

The 62 pages that link to Appropriation (art), each with the reason it gives.

• Pablo PicassoRelated: Picasso’s reinterpretations of canonical paintings show how appropriation can engage art history directly.

• Pop artRelated: Pop artists recast commercial images as art without hiding their borrowed origins.

• PostmodernismRelated: Appropriation turns postmodern questions about originality and ownership into artistic practice.

• CollageRelated: Collage makes borrowing visible by placing fragments from other contexts into a new work.

• Postmodern literatureRelated: Literary practices of quotation and rewriting share its challenge to originality as solitary creation.

• Institutional critiqueRelated: Appropriation can expose how institutions assign originality, ownership, and value.

• ReadymadeRelated: It extends the readymade’s strategy of taking existing material into new contexts.

• Marcel DuchampRelated: Duchamp’s altered reproductions and selected objects anticipated later artists’ strategies of reuse.

• Quentin TarantinoRelated: Debates about his borrowings from earlier films often turn on the line between tribute and appropriation.

• RepresentationRelated: It exposes how meaning changes when an existing representation is recirculated.

• Feminist artRelated: Feminist artists recast familiar images to expose how visual culture objectifies women.

• AssemblageRelated: Assemblage appropriates physical objects, making their earlier meanings available for revision.

• PrimitivismRelated: Primitivist artists recast non-Western objects and forms within European modernist art.

• Found objectRelated: Appropriation shares the found object’s reliance on selecting material that already exists.

• Adaptation (arts)Related: Appropriation may borrow without transforming a source into a new version of that work.

• Mona LisaRelated: Artists from Duchamp to Warhol borrowed its image to challenge ideas of originality and artistic prestige.

• Max ErnstRelated: Ernst’s collages made the alteration of borrowed imagery a powerful artistic method.

• Video artRelated: Video artists’ reuse of television and film footage helped make mass-media images artistic material.

• Migrant MotherRelated: Artists have reworked the photograph, prompting debate about its enduring ownership and meaning.

• Remix cultureRelated: Appropriation makes the act of borrowing itself part of an artwork’s meaning.

• Staged photographyRelated: Staged photographs can quote familiar visual images and alter their implications.

• Art reproductionRelated: Reproducible images supply material for artists who recirculate and transform existing works.

• Jean-Michel BasquiatRelated: He transformed borrowed imagery, historical references, and popular signs through repainting and juxtaposition.

• Fine-art photographyRelated: Photographers have made artworks by recontextualizing images they did not originally create.

• Jeff KoonsRelated: Koons borrows commercial imagery, making appropriation central to debates over his work.

• Postcolonial artRelated: Artists reuse colonial images and symbols to contest their original authority.

• Hannah HöchRelated: Höch’s reuse of press imagery anticipates later debates about image ownership and context.

• Joseph KosuthRelated: Kosuth’s use of reproduced definitions helped foreground citation and context as artistic choices.

• Gerhard RichterRelated: His paintings of photographs make the act of borrowing images central to painting.

• Shepard FaireyRelated: Fairey reworks found imagery, including the source photograph behind the Hope poster.

• Sistine MadonnaRelated: The angels have circulated widely in reproductions and adaptations detached from the full painting.

• Neo-popRelated: Neo-pop frequently repurposes familiar media imagery rather than inventing new visual sources.

• Pierre RestanyRelated: Restany framed artists’ selection of real objects as a new form of artistic expression.

• TransavantgardeRelated: Transavantgarde artists drew freely on earlier art and cultural imagery without adopting one historical style.

• Anish KapoorRelated: Kapoor’s acquisition of exclusive rights to a black pigment raised questions about artists claiming shared materials.

• Kehinde WileyRelated: Wiley appropriates established portrait formats to shift whose presence they authorize.

• MassurrealismRelated: Borrowed commercial imagery becomes material for Massurrealist transformations.

• Neue Slowenische KunstRelated: NSK recast familiar political and cultural imagery rather than inventing a wholly new visual language.

• Piss ChristRelated: Serrano reuses the crucifix, a widely recognized religious object, in a changed material setting.

• Postmodernist filmRelated: Its debates about authorship and originality parallel cinema’s reuse of familiar imagery.