Linked from
The 56 pages that link to Courtly love, each with the reason it gives.
ChivalryRelated: Romances linked knightly conduct to refined behavior and devotion, though not always to historical practice.
Geoffrey ChaucerRelated: Chaucer adapts and mocks its conventions in poems including The Book of the Duchess.
Chivalric romanceRelated: Romances make desire a source of discipline, conflict, and knightly achievement.
TroubadourRelated: Its conventions shaped many troubadour songs about devotion and desire.
Christine de PizanRelated: Its conventions shaped much of the poetry Christine composed for courtly audiences.
Eleanor of AquitaineRelated: Later writers linked Eleanor’s court with courtly love, though many such claims lack firm evidence.
International GothicRelated: Its refined ideals shaped the aristocratic subjects and gestures found in courtly imagery.
Romantic loveBroader topic: It supplied influential themes of longing, service, and idealization in Western romance.
Chrétien de TroyesRelated: His romances dramatize the demands and conflicts of love at an aristocratic court.
CourtshipCompared with: Its literary convention is distinct from the modern relationship-forming process meant here.
PetrarchismRelated: Petrarchism recasts its service, longing, and distance in the language of lyric poetry.
NibelungenliedRelated: The poem’s courtship and marriage plots place desire within a world of rank and political obligation.
Nizami GanjaviRelated: Its ideals illuminate the lovers’ trials and conduct in Nizami’s verse.
Court poetryRelated: Its stylized language of service and desire became a recurring courtly poetic mode.
Giovanni BoccaccioRelated: Boccaccio adapts courtly conventions while frequently exposing the practical and comic complications of desire.
KnightRelated: Courtly literature linked knightly identity with disciplined service and aristocratic romance.
Occitan literatureRelated: Its conventions organize many troubadour lyrics and their speakers' desires.
Royal courtCompared with: The ideal borrowed the language of court hierarchy, but describes a literary code rather than court government.
LancelotRelated: Lancelot’s affair embodies courtly love while exposing its conflict with marriage and feudal loyalty.
CourtierRelated: Courtly ideals helped shape the manners and literary culture of aristocratic courts.
Arthurian romanceRelated: Its tensions shape romances such as those involving Lancelot and Guinevere.
Burgundian SchoolRelated: Chanson texts often draw on the refined language of courtly desire.
GuinevereRelated: The Guinevere–Lancelot relationship is among the best-known literary expressions of this ideal.
Sir Gawain and the Green KnightRelated: The bedroom scenes draw on its language while making courtesy ethically risky.
Baldassare CastiglioneRelated: Castiglione’s dialogue adapts inherited ideals of love to the social world of the Renaissance court.
Roman de la RoseRelated: The lover’s service and desire draw on conventions the poem both uses and questions.
Romance (genre)Related: Medieval romances used its language of service and desire to frame knightly conduct.
EuphuismRelated: Euphuistic romances use elaborate language to present love as a test of wit and conduct.
Marie de FranceRelated: Marie’s lais examine the costs and possibilities of love within courtly conventions.
Medieval literatureRelated: Courtly conventions shaped lyric poetry and romance across several medieval languages.
Love (emotion)Related: It shows how cultural conventions can define love as longing and service.
PrécieusesRelated: Its inherited ideals informed salon conversations about love, manners, and emotional conduct.
The Knight in the Panther's SkinRelated: The poem joins intense romantic devotion to tests of honor and self-command.
Valentine’s DayRelated: Medieval love poetry helped shape the holiday’s association with romantic courtship.
François VillonCompared with: Villon borrows its language but frequently turns idealized desire toward bodily need and comic failure.
Jean de MeunCompared with: Jean de Meun’s continuation challenges the idealized love that shapes Guillaume de Lorris’s opening.
Jean FroissartRelated: Its poetic conventions help situate Froissart’s writing within aristocratic culture.
Madame d’AulnoyRelated: Its conventions inform the trials, loyalties, and marriage plots in many of her tales.
Troilus and CriseydeRelated: Troilus’s devotion follows conventions of courtly service and idealized passion.
Gottfried von StrassburgRelated: The romance tests courtly ideals against the lovers’ overwhelming desire.
William IX of AquitaineRelated: His poems sometimes anticipate its themes, though they also mock romantic conventions.
Arnaut DanielRelated: Its conventions provide a frequent subject and framework for troubadour lyrics.
As You Like ItCompared with: Rosalind’s practical coaching gently parodies idealized romantic convention.
Dafydd ap GwilymRelated: His love poems adapt this convention while giving desire a vivid, personal voice.
Dolce Stil NovoNarrower topic: The movement reshaped courtly devotion into a more inward and intellectually refined experience.
James I of ScotlandRelated: The poem frames its speaker’s love through conventions familiar from medieval courtly literature.
Maurice ScèveRelated: Délie reshapes the inherited lover-and-beloved relationship through spiritual and intellectual tension.
Walther von der VogelweideRelated: Its conventions supplied a framework Walther could adapt and challenge in his love songs.
Agnès SorelCompared with: Its idealized language contrasts with the political realities of Sorel’s relationship with the king.
Hand-kissingRelated: Hand-kissing can echo courtly ideals of reverence and devoted attention.