Linked from

The 35 pages that link to Ezra Pound, each with the reason it gives.

• T. S. EliotRelated: Pound edited “The Waste Land,” substantially shortening its manuscript.

• James JoyceRelated: Pound helped place Joyce’s work in influential journals and connected him with publishers.

• Modernist poetryRelated: His editing and advocacy shaped the careers and methods of several modernist poets.

• Literary modernismRelated: His advocacy and editorial work connected writers and promoted new poetic forms.

• ImagismRelated: Pound coined the movement’s name and promoted its central principles.

• The Waste LandRelated: Pound edited the manuscript extensively, and Eliot dedicated the published poem to him.

• Ernest HemingwayRelated: Pound encouraged Hemingway’s development as a writer and helped him refine his craft.

• W. B. YeatsRelated: Pound served as Yeats’s secretary and encouraged changes in his poetic style.

• Robert FrostRelated: Pound praised Frost’s early work and helped bring it to the attention of London’s literary circles.

• Arthur WaleyCompared with: Pound’s highly adaptive versions offer a revealing contrast with Waley’s more scholarly translations.

• Gertrude SteinRelated: Like Stein, Pound shaped modernism through experimental writing and active literary advocacy.

• William Carlos WilliamsRelated: Pound was Williams’s friend, correspondent, and persistent point of disagreement over poetic direction.

• Robert BrowningRelated: Pound’s interest in precise, dramatic speech aligns with qualities that later readers valued in Browning.

• Robert LowellCompared with: Pound’s fragmented modernist methods provide a different model for Lowell’s formal inheritance.

• Marianne MooreRelated: Pound’s advocacy of formal experiment offers a revealing counterpart to Moore’s independent modernism.

• The CantosRelated: He wrote and continually revised The Cantos across much of his adult life.

• Ford Madox FordRelated: Pound and Ford worked together in London’s modernist literary circles and on The Transatlantic Review.

• James LeggeCompared with: Pound’s poetic remaking of Chinese texts contrasts with Legge’s scholarly translation program.

• H.D.Related: Pound gave Hilda Doolittle the initials H.D. and championed her early poems.

• Wyndham LewisRelated: Pound helped name Vorticism and contributed writing to Blast.

• A Moveable FeastRelated: The memoir describes Pound’s generosity and his efforts to help struggling artists.

• Amy LowellRelated: Pound coined the name Imagism, then split with Lowell over who represented the movement.

• E. E. CummingsRelated: Pound was a prominent contemporary whose advocacy helped shape modernist literary networks.

• François VillonRelated: His translations recast Villon’s ballads in a forceful modern English idiom.

• Richard AldingtonRelated: Pound helped define Imagism, the movement associated with Aldington’s early poetry.

• T. E. HulmeRelated: Pound developed Imagism after engaging with ideas and poets in Hulme’s circle.

• Donald KeeneRelated: Pound’s role in transmitting Japanese literary forms helped inspire Keene’s early interest in Japan.

• George AntheilRelated: Pound championed Antheil in Europe and helped shape the composer’s public image.

• John BerrymanRelated: Pound’s modernist techniques helped establish the fragmented, allusive field Berryman inherited.

• Quiet Night ThoughtRelated: His approach to Chinese poetry provides a contrasting context for English-language versions of Li Bai.

• Mina LoyRelated: Pound promoted Loy’s poetry and helped place it before modernist audiences.

• Wallace StevensRelated: Pound’s modernist innovations provide a useful context for Stevens’s distinct poetic practice.

• Basil BuntingRelated: Pound encouraged Bunting’s poetry and helped connect him to modernist networks.

• Caresse CrosbyRelated: Pound belonged to the expatriate literary circles that Crosby supported through publishing.

• Walter Savage LandorRelated: Pound’s interest in precise, crafted language renewed attention to Landor’s writing.