Linked from
The 56 pages that link to Intertextuality, each with the reason it gives.
ParodyRelated: A parody’s effect depends on an audience recognizing its source or conventions.
PostmodernismRelated: Postmodern works often foreground their dependence on earlier works instead of claiming pure originality.
Internet memeRelated: Meme humor often depends on recognizing references to earlier media or versions.
MetafictionRelated: Metafiction can expose its dependence on earlier stories and conventions.
CollageRelated: Collage fragments retain traces of their sources, creating meanings through visual and cultural references.
Biblical exegesisRelated: Biblical authors often reuse earlier scriptural language, shaping a passage’s sense.
CatchphraseRelated: Catchphrases link later speech and writing to the works where they became familiar.
Literary translationRelated: Allusions and echoes may depend on literary traditions that differ between languages.
Quentin TarantinoRelated: His films invite recognition of genres, scenes, music, and images from earlier works.
Cover versionRelated: A cover makes its relationship to an earlier version part of its musical meaning.
Classical receptionRelated: Later works evoke ancient sources through quotation, allusion, imitation, and revision.
GenreRelated: Genres make shared references legible across works.
Comparative literatureRelated: It supplies a vocabulary for tracing relationships between works across traditions.
Literary adaptationRelated: An adaptation's meanings depend partly on its audience recognizing its source.
Transmedia storytellingRelated: Links and references help separate installments signal their place in a shared narrative.
Folklore studiesRelated: Folklore performances often draw on recognizable earlier forms and shared references.
HypertextRelated: Hypertext makes some textual relationships explicit and traversable through links.
OriginalityRelated: It challenges the idea that works can be wholly independent of prior culture.
Death of the AuthorRelated: Barthes treats writing as woven from existing cultural language rather than created from private intention.
Genre theoryRelated: Genres become recognizable partly through comparison with familiar works.
Post-structuralismRelated: It challenges the idea that a text contains meaning independently of its wider textual relations.
Reception historyRelated: Later interpretations often arise through a text’s reuse and relation to others.
Biblical theologyRelated: Biblical theology traces how later writings reuse earlier language and scriptural traditions.
Literary theoryRelated: It makes a text's echoes, allusions, and borrowings part of interpretation.
PalimpsestRelated: A literary palimpsest often makes earlier texts perceptible within later writing.
Literary genreRelated: Works establish genre expectations by repeating and altering earlier works.
The Madwoman in the AtticRelated: The book traces how women writers answer and revise literary works that precede them.
Cthulhu MythosRelated: Recurring books, beings, and place names invite connections among otherwise independent stories.
CallimachusRelated: His poems reward recognition of their transformations of older literature.
Julia KristevaRelated: Kristeva developed the term to describe how texts transform and absorb prior utterances.
OulipoRelated: Oulipian transformations often expose how new works can emerge from existing language.
Short story cycleRelated: Stories within a cycle echo and reinterpret one another.
Thomas PynchonRelated: His novels braid literary, musical, scientific, and popular references into their fictional worlds.
The Red CliffRelated: Later Red Cliff works gain meaning by echoing Su Shi and accounts of the ancient battle.
Alan MooreRelated: Moore often builds meaning from earlier comics, literature, mythology, and popular culture.
Elfriede JelinekRelated: Her writing reworks quotations, literary conventions, and public discourse rather than treating language as neutral.
LiteratureRelated: Literary works often echo, revise, or contest earlier writing.
Pale FireRelated: The poem and commentary continually reinterpret each other through quotation and allusion.
Postmodern musicRelated: Musical quotations and stylistic allusions make earlier music audible within new works.
Umberto EcoRelated: His novels rely on echoes of earlier writing and on readers recognizing those echoes.
A. S. ByattRelated: Byatt’s fiction makes literary echoes part of its plots and meanings.
Gunnar EkelöfRelated: His poems recast historical, religious, and literary material rather than simply quoting it.
John IrvingRelated: His fiction repeatedly echoes earlier novels through characters, images, and settings.
Julian BarnesRelated: Flaubert’s Parrot builds its fictional inquiry through allusions to Flaubert’s life and writing.
Jonathan LethemRelated: Lethem’s fiction repeatedly reworks recognizable books, films, music, and comics.
W. G. SebaldRelated: Sebald’s narratives absorb literary and historical sources into their layered accounts.
Classic bookRelated: Later works quote, adapt, or contest classics, making their influence visible in new writing.
Dmitri PrigovRelated: His writing recombines literary and ideological language instead of treating texts as isolated.
Postmodernist filmRelated: Postmodernist films often build meaning by quoting, echoing, or rewriting earlier works.
Roberto BolañoRelated: His fiction invents authors and books while continually referencing real literary traditions.