Linked from
The 30 pages that link to Mary Pickford, each with the reason it gives.
Silent filmRelated: Her star power helped shape the business and public image of silent film.
HollywoodRelated: Her stardom and business influence show how performers could shape Hollywood’s institutions.
D. W. GriffithRelated: She appeared in Griffith’s Biograph films before becoming a major independent star and producer.
United ArtistsRelated: Her stardom and business leadership helped make the founders’ independent studio viable.
Lillian GishRelated: Pickford and Gish were contemporaries whose careers illustrate different forms of stardom in silent Hollywood.
Ernst LubitschRelated: She recruited Lubitsch to direct Rosita, his first American feature.
Douglas FairbanksRelated: Pickford was Fairbanks’s spouse and United Artists cofounder.
Film starBroader topic: Her career demonstrated that a performer could exercise influence beyond acting.
Theda BaraCompared with: Her wholesome public image contrasted with Bara’s studio-built femme fatale persona.
David BelascoRelated: Belasco directed Pickford on Broadway before her film career.
Jesse L. LaskyRelated: Lasky’s company produced films featuring Pickford, whose stardom strengthened its distribution appeal.
Adolph ZukorRelated: Zukor’s Famous Players strategy relied on stars such as Pickford to draw audiences.
Anita LoosRelated: Loos wrote for Pickford, whose films brought her screenwriting to a mass audience.
Frances MarionRelated: Pickford’s collaborations with Marion brought the writer early prominence and sustained work.
Janet GaynorCompared with: Pickford was an established star and Academy co-founder when Gaynor won the first acting award.
Lois WeberCompared with: Pickford exercised power chiefly through stardom and production, unlike Weber’s defining role as a director.
Mabel NormandCompared with: Pickford's carefully cultivated dramatic stardom contrasts with Normand's association with fast-paced slapstick.
Florence LawrenceRelated: Like Lawrence, Pickford became a named screen personality as studios built publicity around actors.
Louise BrooksCompared with: Pickford’s carefully cultivated wholesome image contrasted with Brooks’s modern, sexually independent screen persona.
Colleen MooreCompared with: Pickford’s long transition into sound-era filmmaking contrasts with Moore’s early retirement from acting.
Florence TurnerCompared with: Pickford’s later, studio-centered fame contrasts with Turner’s pioneering career at Vitagraph.
Louella ParsonsRelated: Parsons covered Pickford, whose stardom helped establish Hollywood’s early celebrity culture.
Sessue HayakawaRelated: Pickford’s celebrity offers a comparison for the scale of Hayakawa’s early screen fame.
Beverly HillsRelated: Pickfair, her Beverly Hills estate with Douglas Fairbanks, helped make the city a celebrity enclave.
Bobbie RosenfeldRelated: Rosenfeld was selected as Canada's female athlete of the half-century in a 1950 newspaper poll; Pickford topped its women’s list.
Clara Kimball YoungCompared with: Pickford’s durable independent stardom offers a contrast with Young’s shorter peak as a leading star.
Frances Hodgson BurnettRelated: She starred as both Sara Crewe and Becky in the 1917 film adaptation of A Little Princess.
King BaggotRelated: Pickford’s immense popularity illustrates the star culture that Baggot helped establish in its earlier phase.
Martha MansfieldRelated: Pickford’s success shows the expanding prominence of actresses in Mansfield’s era.
Olive ThomasRelated: Pickford’s family connection to Jack linked Thomas to a leading figure in silent cinema.