Linked from

The 17 pages that link to New York City Ballet, each with the reason it gives.

• George BalanchineRelated: Balanchine served as its founding ballet master and created much of its repertory.

• Paris Opera BalletCompared with: Its twentieth-century American identity contrasts with the Paris company’s centuries-old institutional lineage.

• Jerome RobbinsRelated: Robbins became a leading choreographer for the company while continuing his Broadway career.

• Neoclassical balletRelated: The company provided an enduring institution for Balanchine’s neoclassical repertory and training.

• American Ballet TheatreCompared with: Its contrasting repertory and artistic leadership sharpen ABT’s place in American ballet.

• Lincoln KirsteinBroader topic: It was the enduring company Kirstein built with Balanchine.

• American balletBroader topic: Its Balanchine-centered repertory became a major expression of American ballet.

• Mikhail BaryshnikovRelated: Baryshnikov joined the company in 1978 to work with Balanchine.

• School of American BalletRelated: The school became the company’s principal training ground.

• The Four TemperamentsRelated: The ballet entered the company’s repertory after its Ballet Society origins.

• Maria TallchiefRelated: As a leading dancer there, Tallchief helped define the company’s early artistic identity.

• Misty CopelandCompared with: It provides a major American-company counterpart to Copeland's institutional home.

• Twyla TharpRelated: Tharp's collaborations with the company placed her movement ideas within Balanchine's repertory.

• Benjamin MillepiedRelated: Millepied danced with the company from 1995, becoming a principal dancer in 2002.

• Robert JoffreyRelated: Its Balanchine-centered repertory formed part of the New York ballet landscape in which Joffrey developed his ambitions.

• Suzanne FarrellRelated: Farrell joined the company in 1961 and became one of its signature dancers.

• Tamara GevaCompared with: Its later institutional model contrasts with Geva’s earlier work across touring companies, revue, and theater.