Linked from

The 18 pages that link to Point-of-view shot, each with the reason it gives.

• Alfred HitchcockRelated: Hitchcock uses restricted viewpoints to align information with a character’s knowledge or misperception.

• Steven SpielbergRelated: Restricted viewpoints in films such as Jaws make unseen threats more suspenseful.

• Close-upRelated: Close framing can make a point-of-view image feel intensely subjective.

• Camera movementRelated: Camera movement can imitate how a character looks around or travels.

• SteadicamRelated: A moving Steadicam can create a controlled, mobile character viewpoint.

• PsychoRelated: Hitchcock uses restricted viewpoint to shape what the film reveals and conceals.

• Slasher filmRelated: Killer-perspective shots can make surveillance feel intimate and threatening.

• Tracking shotRelated: A moving camera can make the audience travel with a character's viewpoint.

• Offscreen spaceRelated: A character’s gaze can direct attention toward something outside the frame.

• VertigoRelated: Restricted viewpoints align suspense with what Scottie sees and fails to understand.

• Iron LungRelated: Restricted visual access echoes the game’s narrow camera-based way of seeing.

• Nicolas RoegRelated: Roeg uses subjective images to blur what characters perceive with what the film shows.

• Gaspar NoéRelated: Enter the Void uses subjective viewpoints to align the camera with altered consciousness.

• Lewis MilestoneRelated: Subjective views connect battle imagery to the soldiers experiencing it.